First was when I
was an AFS (American Field Service) Scholar assigned to live with an American
family in order to learn American customs, traditions, and of course,
“culture”. Correspondingly, I was expected to impart or show our own
Filipino culture to my foster family, the school, and the community I lived in.
I learned
Filipino folk dances for show in school. In Stanford University, I sang
with two other AFS students the song, “Maalaala
Mo Kaya” (Would You Still Remember). I also demonstrated how to
cook Filipino food like Sinigang and
Adobo.
Second was when
I had to do a presentation in my International Criminal Law class to earn my
Master of Laws degree. The topic was, “Crimes Against Cultural Property
and the Environment”. It was serious enough to merit a bit of research.
The value of “culture” for every nation or community is indeed
immeasurable.
Third was
when I got involved with the minorities (Blacks, Hispanics, American Indians,
and other Asians). Together we fought for our cultural, economic/business, and
socio-political rights. Working with the American Indian Tribes defending
their treaties and reservation autonomy provided me with the opportunity to
learn their culture.
Fourth was when
former Maryland Delegate David Valderrama requested me to develop and present
to the Office of the Prince George’s County Executive the viability of having a
Cultural Center serving the Filipino community and other cultures. We
wanted the Land Title of an old Fire Station building transferred to a designated
non-profit organization that would build the Philippine National Multi-Cultural
Center. The latter is now operating and hosts to events that include
concerts and receptions for dignitaries.
Fifth was
just last night when Tina and I attended a special screening at the Philippine
Embassy with the presence of Ambassador and Mrs. Cuisia. Written,
produced, and directed by Mona Lisa Yuchengco (former classmate of Tina), the
documentary was about Filipino national artist Marilou Diaz-Abaya whose contribution
to Philippine Cinema and to Philippine cultural enrichment is invaluable. I sat
for more than an hour listening to the late Marilou Diaz-Abaya telling stories
about her films and the influence of acclaimed Filipino directors like Lino
Brocka and Ishmael Bernal plus hearing TV commentator and writer Randy David
talk about Marilou. It made me feel “cultured” a little more.
I told Lisa that
her movie would surely help convince President Aquino to make Marilou Diaz
Abaya a “National Artist Award” recipient posthumously.
Most
recently, the Philippine Supreme Court decided to invalidate the Presidential
Proclamations of four known individuals as recipients of the “Order of National
Artists”. The reason for the invalidation is that, former President Arroyo
had committed grave abuse of discretion when she ordered the granting of the
National Artist Award to Cecile Guidote-Alvarez for Theater and to three
others.
The former President supposedly gave “preferential treatment” to the
four and disregarded rules of the National Commission on Culture and the Arts
and the Cultural Center of the Philippines in selecting the awardees.
I read the pertinent laws (Presidential Decrees, Executive Orders,
Republic Act 7356), relating to the awarding of the “Order of National Artists”
by the President. I am not too sure if the Supreme Court made the right
decision especially in the case of voiding Proclamation 1826 re Cecile Guidote
Alvarez.
If I remember my law, “grave abuse of discretion refers to capricious or
whimsical exercise of judgment as is equivalent to lack of jurisdiction.
The abuse of discretion must be patent and gross to amount to an evasion
of a positive duty or a virtual refusal to perform a duty enjoined by law, or
to act at all in contemplation of law, as where the power is exercised in an
arbitrary and despotic manner by reason of passion and hostility.”
The awarding of the “Order of National Artists” is a Presidential
authority, discretion, and prerogative. He has the authority to proclaim,
confirm, and confer awards. Some executive agencies like the Cultural
Center of the Philippines, National Commission on Culture and Arts, and the
Committee on Honors have been designated to assist in the process but the final
authority remains with the President. The latter only has recommendatory
powers. Those of the President are NOT ministerial.
The honor, award, or order is the highest award for national artists.
That is why it should be granted and conferred by the highest official of
the land – the President. It is not a Congressional Award. Neither
is it a Judicial or Supreme Court Award. It is a Presidential/National
Award!
The fact that it was President Arroyo who signed the proclamations
should not be the issue. She is the same President who signed the
appointments of most of the current members of the Supreme Court. The proclamations were signed in July, 2009 - way before the end of her term. So, they could not be considered midnight proclamations.
Besides, the CCP and the NCCA are not like the Judicial Bar Council
where the latter is called upon to come up with a short list of nominees to the
Supreme Court. Under the law, the President is mandated to appoint one in
the short list. In the case of the short list provided by the former,
there is no law that mandates the President to choose the National Artist
Awardees exclusively from the list. Otherwise, the law should have provided
it.
On the merits, there is no doubt in my mind that Cecile Guidote Alvarez
deserves the award. It would have been inappropriate and even unethical
for her to be included in the short list of nominees by the National Commission
on Culture and Arts (NCCA) having been its former Chairman and Executive
Director.
It would not have been proper to require her to justify why she should
be given the award. It was a presidential decision – not hers.
It has been said that, “A culture is a way of life of a
group of people--the behaviors, beliefs, values, and symbols that they accept,
generally without thinking about them, and that are passed along by
communication and imitation from one generation to the next.”
In the darkest time of Martial Law where the Philippines was known
for its culture of corruption, culture of impunity, and culture of jewelry and
shoe collection, a group forced to be exiled abroad remained true to Philippine
values, beliefs, behaviors and symbols. They were manifested in real life
even in exile and in theatrical arts be it stage or in the streets. Cecile was a leader of that group! After the assassination of Ninoy, the group became part of the Ninoy Aquino Movement (NAM).
There are legitimate sources to validate Cecile’s contribution to
Philippine cultural and theatrical arts. The awards that she received
brought honor not only to herself, her family, but most especially to the
Philippines.
Proclaiming and conferring her with the honor of “Order of
National Artist” would have recognized such contributions. She does not
deserve to be shamed by invalidating the act of another.
PNoy should correct this injustice. Cecile Guidote Alvarez
is a National Artist that we could be proud of. The late Senator Ninoy
Aquino, former Foreign Secretary Raul Manglapus, Father James Reuter, SJ, and
former Education & Culture Secretary Alejandro Roces would have agreed.